Goldfrapp: Allison Goldfrapp, Will Gregory.
Additional personnel: Daniel Miller, Charlie Jones .
Arguably Goldfrapp's most accessible and immediately engaging album, SUPERNATURE features the British duo mixing sensual electronica with catchy pop to wonderful effect. Sounding like the result of Ziggy Stardust crash-landing in Prince's studio during a session with Kylie Minogue, this outing sparkles with willful decadence and glamour, opening with the T. Rex-like techno-stomp of "Ooh La La." Alison Goldfrapp's voice often recalls both Minogue and Kate Bush, with the music generally veering towards the dance-floor furor of the former. Though the record does present slow and/or mid-tempo tracks, most notably the shuffling "You Never Know" and the dreamy "Let It Take You," Goldfrapp and Will Gregory's synth-soaked textures are frequently employed to a clubby, crowd-pleasing end, as on the sassy "Lovely 2 C U" and the raucous "Satin Chic." Although much of SUPERNATURE lacks the moody, overtly cinematic atmosphere of earlier Goldfrapp releases, most listeners will be too busy careening around the room to care.
The 2006 U.S. edition of SUPERNATURE features the bonus track "Beautiful," a surging techno-tinged tune on a par with the album's best songs.
It's something of a mystery why Mute Records waited until early 2006 to release Goldfrapp's third album, Supernature, in the U.S. After all, when it came out in the U.K. the previous summer, it made the duo into a bona fide chart success, to the point where the album's terrific lead single, "Ooh La La" -- on which Allison Goldfrapp channels Marc Bolan's dippy-cool vocals and lyrics over a shuffling, glam-tastic beat -- drew comparisons to former S Club 7 star Rachel Stevens' similarly glam-inspired hit "Some Girls." While Goldfrapp might balk at being called (or compared to) a pop act, it's undeniable that the duo has streamlined and simplified its sound since the baroque Felt Mountain days. It's also undeniable that Supernature is easily Goldfrapp's most accessible album. Coming across like the missing link between Black Cherry's sexy, sharp-edged dancefloor experiments and Felt Mountain's luxe soundscapes, Supernature sometimes combines the best elements from those two albums into something great, and at other times renders them into something surprisingly bland. Along with the aforementioned "Ooh La La," the upbeat tracks find Goldfrapp becoming the robo-glam-disco gods that Black Cherry suggested they might: the starkly catchy "Lovely 2 CU," the fabulously blas‚ "Ride a White Horse," and "Satin Chic," which could single-handedly make honky tonk pianos fashionable again, all use the duo's inherently theatrical style to very catchy, immediate ends. Interestingly, though, the sweeping ballads that used to be Goldfrapp's forte are the most uneven tracks on Supernature. It's not that tracks like "Time Out from the World" and "Koko" aren't pretty and ethereal enough, but they're just not that distinctive. Likewise, "Fly Me Away" is pleasant, but maybe a little too pleasant -- it almost sounds like it was commissioned for a travel commercial. However, "Let It Take You" shows that Goldfrapp can still craft gorgeous, weightless ballads, and "Number 1" nails the laid-back sexiness that many of the other slower songs attempt. It's surprisingly heartfelt, too -- is there a sweeter compliment than "you're my Saturday"? It would be unfair to say that Supernature's stripped-down pop is a dumbed-down version of what Goldfrapp has accomplished in the past, since it takes a certain kind of smarts to hone songs into instantly catchy essences like the album's best tracks. Yet, as delightfully stylish and immediate as Supernature is, it's still hard to escape the nagging feeling that Goldfrapp could make its ethereal sensuality and pop leanings into something even more compelling. [Supernature was released in the U.S. with the bonus track "Beautiful," which originally appeared on the U.K. Number 1 EP.] ~ Heather Phares

Rolling Stone (p.63) - 3.5 stars out of 5 -- "[T]he cabaret tune 'Satin Chic' gets a twist with electric player piano and a twitchy percussive stomp so evil it makes your skin crawl. Toxic and delicious, SUPERNATURE will make you do bad things -- and like it."
Rolling Stone (p.106) - Ranked #32 in Rolling Stone's "The Top 50 Albums Of 2006" -- "Goldfrapp exist beyond time and space, in a metropolitan interzone of sleek computer beats and dark melodies..."
Magnet (p.99) - "Goldfrapp is the rare dance art-pop band that bleeds artistic integrity without looking back to the '80s for inspiration..."